Cabeça de Abóbora

The magic of corporate architecture allows the pumpkin heads to instantly be reflected in the window and appear as if they are now inside and have their place in a plenary session. Has a transformation occurred and are the delegates now a bunch of carved-out vegetables; are the pumpkins a static, voiceless constituency within the conference; or have the pumpkins joined the mainstream (...)?

Katherine Vaughan Williams (MUF), We need artist's ways of doing things: a critical analysis of the role of the artist in regeneration practice

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... a despropósito de tantos outros despropósitos, mas especialmente sobre a possibilidade da arte urbana como "motor" de "regeneração" e sobre as esculturas de José Pedro Croft no parque urbano da ribeira do jamor que eu não conheço...